Each time out should be a swing for the fences. Don’t do base-running drills. You can do these on your own time.

—Tobias Wolff

Taken from The Believer Book of Writers Talking to Writers

My method back then was very much a fiction writer’s approach to journalism. I began to think of the way you world start a short story and begin with a character, and you hold that pen in your hand, and push it along, and wait to see what will develop. I had this theory that I would sort of put myself out there, and it was as if I was the pen, letting my own intuitions and circumstances guide me.

—Francisco Goldman

Taken from The Believer Book of Writers Talking to Writers

The narrator of my nonfiction pieces is not the same person I am—she is a lot more articulate and thinks of much cleverer things to say that I usually do.

—Janet Malcolm

Taken from The Believer Book of Writers Talking to Writers

All of these declarations of what writing ought to be, which I had myself—though, thank god I had never committed them to paper—I think are nonsense… You write what you write, and then either it holds up or it doesn’t hold up. There are no rules or particular sensibilities. I don’t believe in that at all anymore.

—Jamaica Kincaid

Taken from The Believer Book of Writers Talking to Writers

The dream, surely, that we all have, is to write this beautiful paagraph that actually is describing something but at the same time in another voice is writing a commentary on its own creation, without having to be a story about a writer.

—Ian McEwan

Taken from The Believer Book of Writers Talking to Writers

I’ve never thought of beauty and truth as equivalent in any way. Some truths are ugly, sometimes beautiful, very often ambiguous and invisible. It’s that ambiguous and invisible realm I’m always reaching for in my writing.

Because when we retrieve a memory, we don’t retrieve the original but rather our last retrieval of that memory: we don’t walk around with original, pure imprints of our past. We edit them through the present. Neuroscientists call this reconsolidation. Freud called it nachträglichkeit.

Reading is the avenue to writing, and after a while, the sheer bulk of influences begins to eliminate the question of influence. Even when my memory is spotty for a particular work I loved, I think it lives inside me in some form. Books we respond to become us. They don’t remain intact, of course, or unedited in our recollection, but nobody really writes alone.

—Siri Hustvedt

Taken from The Believer Book of Writers Talking to Writers

What the novelist needs is not diverse opinions but a personal system of storytelling upon which his opinions can take a firm stand.

Women often act as mediums in my novels. They guide the protagonist to “places out of the ordinary,” and they make the story move.

What I want to do is write about lots of different characters in lots of different situations, and that way to create stories with greater breadth. New character types are beginning to appear in my books because I know now how to write them.

—Haruki Murakami

Taken from The Believer Book of Writers Talking to Writers